/page/2

Well, lookee here, it’s Cary Fuckin’ Grant. No, wait. It’s Dan Fuckin’ Egan. #VeepLeaks @VeepHBO @ReidScott — @mrchrisaddison

Well, lookee here, it’s Cary Fuckin’ Grant. No, wait. It’s Dan Fuckin’ Egan. #VeepLeaks @VeepHBO @ReidScott — @mrchrisaddison

(Source: fuckpointyou, via factoseintolerant)

dreadfulfuture:

Tetsuo: The Iron Man (1989) dir. Shinya Tsukamoto

Disaster Year 20XX’s review

(via stevemcqueened)

lightgetsout:

Cosplaying Will Graham is a very serious matter.

(via boohaanigram)

The price of freedom is high. And it’s a price I’m willing to pay.

(Source: anthonymackies, via billyteddy)

Rosamund Pike | Toronto International Film Festival Portraits

(Source: wearyvoices, via cinemastatic)

Secret Avengers #7

(Source: cryomage, via billyteddy)

fargo + movie references (no country for old men, the big lebowski, burn after reading & midnight cowboy)

(Source: rhllors, via filmlovingfreak)

inspired by (x)

(Source: fuckyeahxmenmovies, via billyteddy)

mrshudsonstolemytardis:

Prince Harry and John Barrowman both do a mutual high five/ass slap combo omg

(via buzzfeedceleb)

entertainingtheidea:

"Gyllenhaal is a revelation once again, and the control of his instrument is a wonderful thing to witness. The character is unhinged, but precisely pitched. Unblinking and haunted, one imagines a rich back story for this character. While it’s never explicitly stated, much is suggested by Gyllenhaal’s fractured, on-the-edge performance and the environment around him; a lifetime of loneliness and isolation from an indifferent world that’s about to crack and manifest itself in all kinds of ugly fissures. The harsh fluorescent brilliance of “Nightcrawler” is just how in tune Gyllenhaal, Gilroy and the movie are. Bloom and the movie slowly uncoil in tandem lock and step to unveil much more than an unsocialized loner who’s listened to too many of Tony Robbins’ motivational speeches. But Gyllenhaal isn’t scene-chewing, and the humanity glimpsed early on is perhaps what makes his sinister transformation so creepy." [x]

Nightcrawler | Dan Gilroy, 2014

(via filmlovingfreak)

shomangaka:

Christoph Waltz, photographed by Alasdair McLellan| Fantastic Man issue № 20

(via shomangaka)

(Source: wholove, via factoseintolerant)


Well, lookee here, it’s Cary Fuckin’ Grant. No, wait. It’s Dan Fuckin’ Egan. #VeepLeaks @VeepHBO @ReidScott — @mrchrisaddison

Well, lookee here, it’s Cary Fuckin’ Grant. No, wait. It’s Dan Fuckin’ Egan. #VeepLeaks @VeepHBO @ReidScott — @mrchrisaddison

(Source: fuckpointyou, via factoseintolerant)

dreadfulfuture:

Tetsuo: The Iron Man (1989) dir. Shinya Tsukamoto

Disaster Year 20XX’s review

(via stevemcqueened)

(Source: sikanapanele, via freezerbraun)

lightgetsout:

Cosplaying Will Graham is a very serious matter.

(via boohaanigram)

The price of freedom is high. And it’s a price I’m willing to pay.

(Source: anthonymackies, via billyteddy)

Rosamund Pike | Toronto International Film Festival Portraits

(Source: wearyvoices, via cinemastatic)

Secret Avengers #7

(Source: cryomage, via billyteddy)

fargo + movie references (no country for old men, the big lebowski, burn after reading & midnight cowboy)

(Source: rhllors, via filmlovingfreak)

inspired by (x)

(Source: fuckyeahxmenmovies, via billyteddy)

mrshudsonstolemytardis:

Prince Harry and John Barrowman both do a mutual high five/ass slap combo omg

(via buzzfeedceleb)

entertainingtheidea:

"Gyllenhaal is a revelation once again, and the control of his instrument is a wonderful thing to witness. The character is unhinged, but precisely pitched. Unblinking and haunted, one imagines a rich back story for this character. While it’s never explicitly stated, much is suggested by Gyllenhaal’s fractured, on-the-edge performance and the environment around him; a lifetime of loneliness and isolation from an indifferent world that’s about to crack and manifest itself in all kinds of ugly fissures. The harsh fluorescent brilliance of “Nightcrawler” is just how in tune Gyllenhaal, Gilroy and the movie are. Bloom and the movie slowly uncoil in tandem lock and step to unveil much more than an unsocialized loner who’s listened to too many of Tony Robbins’ motivational speeches. But Gyllenhaal isn’t scene-chewing, and the humanity glimpsed early on is perhaps what makes his sinister transformation so creepy." [x]

Nightcrawler | Dan Gilroy, 2014

(via filmlovingfreak)

shomangaka:

Christoph Waltz, photographed by Alasdair McLellan| Fantastic Man issue № 20

(via shomangaka)

About:

Fan of Marvel and DC

Mentally dating Sebastian Stan <3

Film junkie

Post-rock lover

Good for nothing

Following:

C